I didn’t really know what to call this so for now I’m going with the Cream Dress. To be fair, it does look very cream. This is a dress I’d thought up doing a few months ago, after seeing a photo of a dress from Reign that I quite liked. It seemed fairly simple and I wanted something to keep me busy and with which I could practice more. The dress I originally saw on Instagram looks like this:
While I don’t really watch the series any more, I have always appreciated the prettiness of the wardrobe (even if it isn’t historically accurate). And so I was all for it! I bought the fabrics for this over the summer while I was away in Alicante. I bought a meter for the white and gold brocade bodice, a meter for the sleeves and four meters of the light cream with discreet dots for the skirt.
You can’t really see it in these photos but the bodice fabric and the sleeve fabric have wonderful sheen to them. I am especially in love with the white fabric, I can’t really say what it is – it is light like chiffon, but feels more like cotton and muslin. It has a sort of shiny sheen of it, though it is very discreet. As I said, I am in love and sad that I did not buy more.
For the bodice, I got to try out something new. The last bodice I drafted was for my robe à l’Anglaise and I flat drafted that following the instructions from a book. I didn’t really like that method, it took forever and a lot of maths. But in the meantime, my dressform arrived and I could finally dip into draping! So I did. I read up on what I could, but it’s pretty self-explanatory. You put a piece of fabric on it and you draw on it.
I did one mock-up for this, where I realised the back was too big so I took it in by about an inch. Then I turned it into a pattern and cut out the pieces.
The bodice is made up of one layer of the fashion fabric and one layer of stiff cotton twill. On the cotton twill, I sewed on a couple of boning channels, as I planned on using the seams as bone channels.
I wish I hadn’t, because I didn’t leave enough seam allowance to make them nice and neat, so the edges are fraying a bit. Oh well! After attaching bias tape as the extra boning channels, I then proceeded to flatline the bodice. I decided to use this method because when I assembled the lining and the outer bodice separately and then joined them on the edges before, it always ended up being baggy and not… great. I was hoping this would look better. To flatline it, I simply pieced all the equivalent pieces together and machine basted around the edges, at a quarter inch in the seam allowance. Then, I assembled the body pieces in one go.
I sewed down the seams and used spiral and steel boning to fill the boning channels. Then I turned in the top and bottom edges and sewed that down by hand, so that there were no visual stitches. The only bit that gave me grief were the shoulder seams, as I couldn’t get them quite to line up and they were very chunky. I ended up having to try to hide some imperfections further on. Then I worked on the final bit of the bodice which was the closures. Instead of going with eyelets like usual, I decided to go with loops for closures. For this, I cut a long thin strip of the brocade. I ironed half an inch on each side inwards and then folded it in half. It’s the same process for making bias tape, though I’d never bothered with that before. Then I stitched the folded edges together. I cut twenty eight two inch long bits. Then I pinned them onto ribbon, which I folded over to hide the raw edges.
The process of stitching over these was so painful. I found some of the loops were too short, so if I sewed too far from the edge of the ribbon, the tips of the loops would stick out. After the first few straight stitch rounds, I found that sewing over with a zig zag stitch worked really well in keeping them attached. I’m not sure how sturdy, or practical, they really are – but they are damn cute!
And that is for this bodice! Up next are the sleeves, frills and skirts.